(Though we later see that Breetai has already suspected the truth) Still, he puts up a brave face and pretends that the sizing chamber will work at a time when he needs it. Take this scene from the Robotech apocrypha, both the novels and comics: the Zentraedi are being returned to their original giant size, but Exedore must remain at the Micronized state, and it doesn't matter anyway: due to so many repeated transformations, the chamber breaks down, and Exedore will be small forever.
TYPE DESIGN INFORMATION PAGE last updated onįree pixelized fonts by Yuji Oshimoto: the 04b family.You ever have one of those moments where you fall head-over-heels into something and it takes way too long to recognize what you should have from the start? And when you recognize it, you still can't change your mind? Japanese designer of Beech (psychedelic), Broccoli, Beech, Chicory, Carrot, Sixgun (dot font) and Horseradish. Another URL.ĭafont link, Abstract Fonts link. ĭesign collective in Melbourne which includes Sara Hayat. They created the art deco / Futura Black style typeface Nick Dale in 2009. They also created an ultra-fat psychedelic face in 2009.
#Exedore font software
Now located in Seattle, WA, and before that in El Prado, NM, Pond is a freelance software specialist who did some great work at.
In 2015, he published the connected swashy script typeface Octavia Script, the brush scripts Carbonera and Shallom, the hand-lettered Vanilla Daisy Script and Mightype, the watercolor script Hollycakes, and the connected Brayden Script (and Sans).Īshley Evan Pond (who also used the company names AEP and An Elektrum Press) designed the IBM logo imitation typeface Element (1996), as well as Vampire Winter, Kismet Demibold, Atrium Initials, Atrium Deco, Abraxis, Seraphim Freaky, Acrylic, Aradia Heavy, Blocks, Evil Egg (based on psychedelic lettering by Chipper Thompson), International, Zebra, Daisy, Inverno, American Light, Santa Fe, Karma, Romanette, and American.Īdam Fathony (or Adam Fathoni Haris AF Studio, Bandung, Indonesia) created the vintage typeface Grandesa (2014), the signage typeface Magnifika (2014) and the Victorian typeface Marema (2014). Typefaces from 2016: Drustic Daily, Karlberg Script, Ecosmith Script, Halosense Script (calligraphic), Lunar Cone (connected layered script), Clarkson Script, Salvador Script, Salvador Serif, Salvador Condensed, La Venice Script (retro signage lettering). Typefaces from 2017: Clarkson Script (brush lettering), Bignord Vintage (with Fauzan Rafhy), Douglas Collection (12 fonts: Aaronade Script, Ancaster Script, Burlington, Calgury, Montreal Rounded, Morphic 60s, Norwood Old, Ogdensburgh, Palmeira, Rutland Extended, Wolves Sans, Wolves Serif), Almost Lover, Rhythmic Dances (rough script), Sevastian (layered font set), Rustling Trees (dry brush), Little Karla Script. Typefaces from 2018: Figuera Variable (a late Victorian, early art nouveau typeface family variable font format), Brignola (a calligraphic penmanship script), Eastside Brush (a brush signage script done with Angga Kristiandri), Marshfield (a retro cursive typeface by Adam Fathoni Haris and Renov Olivian), C'est La Vie (font duo), Chivels (a vintage typeface done with Angga Kristiandri at Abbassy Studio), Sevastian (a layered font family), Drustic Dialy (weathered with Angga Kristiandri), Elli Bellie (calligraphic).
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